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Songs are peppered with African imagery and traditions that never feel out of place. But within that framework, Jidenna struts himself as a walking diaspora with a double-monk strap firmly planted in parallel realities. The narrative isn’t fully formed, and because it bookends the bulk of the album, any sort of linear plot gets a bit lost in the mix. “You’re not a man ‘till the day your father dies” is the album’s penultimate nugget of wisdom. The ghost of Oliver Mobisson haunts The Chief as an extension of The Classic Man’s psyche, a window through which we’re privy to the hereditary wisdom and perspectives that shifted with his passing.īeginning with his father’s death and ending with a posthumous conversation with him, The Chief loosely follows Jidenna’s journey to metaphorical chieftain status. After his death, Jidenna adopted the style. As it would happen, Jidenna’s sartorial preferences are in tribute to his late father, who had a penchant for three-piece suits and walked with a cane. (Danny Brown has repeatedly said in interviews that he started selling weed in part so he could rap about selling weed.)Īnother example: When I first heard “Classic Man,” I thought his modern dandyism, his impeccably tailored suits and flawless side-part, were a shtick-a dapper shtick, but a shtick nonetheless. This is a dude that made a calculated decision to reject his Harvard admission so that he could rap about rejecting his Harvard admission. For example: at first glance, Jidenna’s ballsiness could seem pompous, but it’s not without basis. It’s not necessary to enjoy it- The Chief is a marvelously approachable collection of songs-but context makes it sink in deeper. Jidenna’s debut album, The Chief, benefits greatly from an understanding of his upbringing. Oliver passed away in February of 2010, and was given a chief’s funeral in his home country. The family would return to the US the next year. When Jidenna was five years old, the Mobisson family was taken hostage in Nigeria by militiamen his sister and mother were savagely beaten, and Jidenna got a bullet in his foot. His son, Jidenna Mobisson, was born some three years later in Wisconsin Rapids, WI.
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In ’82 he built the ASUTECH 800, sub-Saharan Africa’s first computer line named after the computer technology institute he played an integral part in founding. Stateside, he would meet his future wife, Tama, with whom he founded Lifeline for Biafra, an organization intent on channeling funds to rebels fighting for Biafra sovereignty. In 1965 Oliver Mobisson, a revolutionary in Nigeria’s Biafran War, moved to Massachusetts to enroll at MIT with a grant from the Nigerian Ministry of Education. Thomas Johnson never cries when watching Bambi.